User Details - seth

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Name:
  Seth
Details:
  (aka Thornhill)

Subscriber to The Philadelphia Orchestra and Metropolitan Opera.
Location:
  Montgomery, AL
USA
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Email:
  seth.levi@gmail.com
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Posts:
  1005

 
 
Reviews
Found: 23 show all

Rachmaninov: The Bells, Symphonic Dances - Bychkov        (7 of 8 found this review helpful)
  February 27, 2010

Since Geohominid has written so descriptively about The Bells, I’ll focus on the "Symphonic Dances." The "Symphonic Dances" is my favorite orchestral piece by Rachmaninov (so that means I’m considering the “Rhapsody on a Theme by Paganini” music for orchestra and piano solo). Unlike the popular ... more
Mahler: Symphony No. 5 - Jansons      (6 of 9 found this review helpful)
  February 22, 2010

As usual, I'll be the lone dissenter on this recording. My main main problem with the performance is that throughout it Jansons is awash in a sea of strings. He pushes the string section to the front of the balance, and while the Concertgebouw's strings are quite gorgeous, this comes at the ... more
Mahler: Symphony No. 5 - San Francisco/Michael Tilson Thomas      (3 of 3 found this review helpful)
  December 21, 2009

Thomas leads a big romantic performance of the 5th. While he never gets in the way of the music, he has few insights to offer -- it's a solid performance, but I didn't feel that I took anything new away from the Symphony. The only major gaffe of his is a bit of rubato before launching into the 5th ... more
Mozart: Don Giovanni - Jacobs      (8 of 14 found this review helpful)
  October 7, 2007

I have greatly enjoyed Jacobs' recordings of the two other Da Ponte opera for his creative reimagining of the dynamics and balances, as well as use of the continuo. Jacobs, though, began to loose his way in a recent recording of the 41st symphony where tempos were micromanaged for the sake of trying ... more
Tchaikovsky: Symphony No. 4, The Seasons - Eschenbach      (8 of 9 found this review helpful)
  August 26, 2007

This is not really a bad recording of the 4th, but it brings little to the catalogue. Eschenbach's big 'innovation' is to play the first movement slow. And it's not just that the near 20 minute timing of the movement reflects its slowness -- it sounds and feels it. Everything is drawn out. ... more

 
 
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