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User Details - stvnharr
Name: |
Steven Harrison | |
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HiFi: |
System One SACD Player: Highly Modified Marantz 8260 Preamp: Aksa GK-1 Amp: Aksa Lifeforce 55 Speakers: Osborn Titan Reference Subwoofer: Critical Q, design by Joe Rasmussen Cables: DIY with Neotech NES-3003 cable System Two SACD Player: Highly Modified Marantz 8260 Speakers: DIY design 2.5 way w/Seas W18E & Hiq OW1 Amp: Aksa Lifeforce 55 Cables: IC's same as System One, Speaker: DIY with Vampire OCCC wire |
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Email: |
stvnharr@aol.com | |
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Posts: |
706 |
Reviews |
Found: 68 show all |
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Yesterday 04:19 pm
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| Acousense records in 96hz. and 192hz., converting to final format only at the end of everything. Have a look at the website. ... more | |
Yesterday 10:18 am
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| The DSD vs. high PCM debate has been going on within the recording and audio industry for a long time. Each side has it's supporters and reasons for support. Acousense is another one of those obscure and unknown labels with unknown artists, with a tiny output of only a few products. There is obviously a lot of attention to detail in what they do ... more | |
September 1, 2010
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| I have enjoyed reading the above 3 posts. We have too few of these these days on the forum. The comments tend to highlite the differences in listening to a concert and listening to a recording. Just a couple comments.......... Bass, it's there in concert and it's there on the recording. But hearing it in a playback system is strictly limited to ... more | |
August 31, 2010
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| Ernani, You've been given a rough reception, and your title didn't help you any. Everyone here is sure about SACD. That's why we are here. It's really quite simple. All sacd titles are listed on this site. If the music you like is available on sacd, then find a player, give it a go and decide for yourself. No one can really know but you. Steve ... more | |
August 21, 2010
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| Jon, The MCH/stereo subject has had several threads in the past. May I suggest that you go back and read what has already been discussed before you start another thread on this subject. ... more | |