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Label:
  ATMA Classique - http://www.atmaclassique.com/
Serial:
  SACD22512
Title:
  Bruckner: Symphony No. 7 - Nézet-Séguin
Description:
  Bruckner: Symphony No. 7

Orchestre Métropolitain du Grand Montréal
Yannick Nézet-Séguin (conductor)
Details:
 
Genre:
  Classical - Orchestral
Content:
  Stereo/Multichannel
Media:
  Hybrid
Recording type:
 
Recording info:
 

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Related titles: 2


 
Reviews: 2

Site review by Polly Nomial July 20, 2007
Performance:  Sonics (MC):
This disc has intense competition both from an audio perspective (Bruckner: Symphony No. 7 - Kreizberg) and also performance (Bruckner: Symphony No. 7 - Wand). In neither respect does this release match the best on offer on SACD.

The problems are largely that of the orchestral contribution under Nézet-Séguin. He does nothing intrinsically "wrong" but too many times, ones attention drifts in one of Bruckner's most compelling and easily enjoyable scores - if one is bored by the great adagio, there is a serious lack of musical interest on display. The orchestra sounds a little out its depth; it does not play fistfuls of mistakes but is without the sonority that the central European tradition has accustomed these ears to hearing - and thin Bruckner sounds weak. Hearing this alongside the Wand recording is like viewing a masterpiece through a sheet of gauze - not ideal!

As far as the sonic pleasures go, again there is nothing really stunning one way or another but in no way can this be compared to the recording given to Kreizburg.

Not recommendable.

Copyright © 2007 John Broggio and SA-CD.net

Review by sacd_fan_2007 April 5, 2008 (3 of 5 found this review helpful)
Performance:  Sonics (S):
I believe the SA-CD.net Editorial Review was accurate, but I did find value in this SACD. Few could disagree with the referral to Gunter Wand, who is considered a leading Bruckner interpreter... but realize that the Gunter Wand SACD costs twice as much this one.

I'm not a huge fan of Bruckner Symphonies and believe his best works were vocal. Bruckner Symphonies consist of massive Wagner-like symphonic blocks with little attention paid to transitions. The prior Bruckner Symphony recordings I've heard on rbcd were all dynamically binary (very loud or very soft).

Nézet-Séguin actually explores some softer and delicate passages in the symphony; and best of all, he steadily grows the dynamics, so the climaxes have some context (and SACD can capture this contrast).

The Montreal ensemble seems like an unusual messenger for Bruckner, but they sound very good in the pleasant church acoustics. Their approach is a refreshing diversion from the bloated meat-and-potatoes large central European orchestra tradition of Bruckner, which may continue to keep this music inaccessible to wider audiences.

Since I don't consider myself a connoisseur of Bruckner Symphonies, I googled this particular recording to learn more about its reception:

Classics Today rated this recording:
http://www.classicstoday.com/review.asp?ReviewNum=11001

Another Review:
"Yannick Nézet-Séguin, who will be conducting the Scottish Chamber Orchestra in Glasgow and
Edinburgh next weekend and has been appointed Valery Gergiev's successor at the Rotterdam
Philharmonic from next year, is perhaps best described as the Canadian Daniel Harding.
He is the same age (31) and, like his British colleague, was mentored by one of the Italian
conducting greats, in his case Carlo Maria Giulini. And something of Giulini's ability to give
expressive weight to the long line has obviously rubbed off on the young Canadian's approach
to Bruckner's Seventh Symphony. It is brave of him to tackle such a giant of the repertoire so
young, but the result is an idiomatic interpretation shot through with a highly personal
attention to detail. Nézet-Séguin's tempos sometimes seem broad - justifiably so in coping
with the resonant church acoustics of this live recording - but, perversely, he takes the
symphony's grand conclusion a little too briskly to allow the sense of culmination to tell
fully. The playing of the Montreal orchestra, whose conductor he has been since 2000, is sleek
and full-bodied, if lacking the personality of the greats in this music. But it is an
estimable calling card for YNS, as his official website helpfully abbreviates his name."
-Matthew Rye, Telegraph.co.uk


Final Thoughts:
The SA-CD.net Editorial Review discusses some excellent alternatives, but this imperfect disc deserves some consideration in a price range more appropriate for Bruckner Symphonies. The artists here deserve credit for tinkering with the bloated and stale Bruckner formula.

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