Having said this though, I'm not sure if I particularly liked his latest offering. Keeping in mind that perhaps more casual listeners of Kunzel's would like it more than I would, the rearrangements of film music to suit a more "concert-oriented" presentation is a tricky business and isn't always tastefully done. A case in point: a frequent listener may observe that in Kunzel's albums and included rearrangements, the ending for each newly arranged piece display a tendency to sound too similar. With the exception of film composers who write their own concert arrangements of their biggest hits- John Williams coming to mind immediately- the repeated "big band" and explosive/loud climax to most of this disc's arrangements does tend to wear thin. In other instances, the closings seemed rushed, hinting of an attempt to quickly finish the concert piece and move on to the next track

Within the tracks themselevs, particularly successful in my opinion, are the tracks for The Mummy, The Mask of Zorro, Shakespeare in Love, and A Bug's Life. Less so were the tracks for The Rock, Air Force One and Titanic; the latter most probably because one would have heard it so many times, and Kunzel's rendition, well, sounds very different.

SELECTION In order to properly sell a compilation a producer must include a hefty sampling of "the usual suspects" which in this case include TITANIC, THE PHANTOM MENACE, THE MUMMY etc. There isn't really any great risk-taking here, but the selected cues do make for a pleasant listening experience. The other selections are from THE MASK OF ZORRO, AIR FORCE ONE, THE ROCK, CONTACT, MIGHTY JOE YOUNG, L.A. CONFIDENTIAL, THE PRINCE OF EGYPT, THE X-FILES, A BUG'S LIFE, ELIZABETH (the nicest surprise here), GODZILLA, SHAKESPEARE IN LOVE and ARMAGEDDON. 7/10

PERFORMANCE In most cases the Pops performance closely matches the original performance as heard in each movie. There are a few exceptions, though. THE ROCK (End Title) particularly struck me as being quite different from the original soundtrack. 8/10

SOUND QUALITY The sound quality is THE reason to buy this disc. Going *beyond* reference quality, the punchy, incredible sound mix is often jaw-dropping. The liner notes say that the sound effects tracks are the first sounds to be recorded direct to six-channel Direct Stream Digital. Sadly, the effects tracks are generally short and a bit disappointing in relation to the amount of time and care spent recording them. Still, the disc's audio quality - both effects and music tracks - is simply amazing. We even get a warning about sound levels, which reminds me of the "WARNING! LIVE CANNONS!" messages on the early digital 1812 Overture releases. Did I mention the entire disc is in Surround Sound? 10/10

PACKAGING A very unattractive text-based CD cover hides nicely detailed yet brief notes about each track. It is fascinating to read the notes regarding the creation of the effects tracks. If you buy the disc, be sure to read the liner notes. 7/10