| Site review by Polly Nomial October 2, 2006
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Performance: Sonics (MC): |
This is the easiest review I shall ever have the pleasure of writing & can be summed up in two words:
Buy it!
It is not often one can hail a modern classic, especially of music that has been recorded so often in the past, but this is a rare standard of music making.
Full reviews can be found following the links given below but suffice to say that this is the most musical set of performances of Beethoven I have heard since first hearing Schnabel; it is also the most impressive I have heard from a playing perspective in Beethoven & I have never heard the LSO play like this on disc before now. Lastly, it is wonderful to hear Haitink bring all his experience with a truly fresh vision (for both him and us) of how this great music can sound.
From the opening of the first symphony, the notes sound as though the ink is still drying and this impression continues through the other 8 masterpieces. It is more than just sounding newly minted; the honesty, structure and emotion are all vividly conveyed too in the best sound that LSO Live have achieved to date from the Barbican. The Triple Concerto & Leonore Overture No.2 are just as successful and makes one wish for follow-up sets to complete the orchestral music together with a concerto cycle and Fidelio all under the baton of Haitink.
The box-set brings together all 6 discs (in slip-cases) with the original artwork used and the notes conflated into one booklet - very neatly done, even if not everyone admires the concept of the photos.
As I said before (and it cannot be said often enough) - buy it, not just for yourself but for all your friends/family/colleagues... they will all be profoundly grateful.
Beethoven: Symphonies Nos. 1 & 5 - Haitink
Beethoven: Symphonies Nos. 2 & 6 - Haitink
Beethoven: Symphony No. 3, Leonore - Haitink
Beethoven: Symphonies Nos. 4 & 8 - Haitink
Beethoven: Symphony No. 7, Triple Concerto - Haitink
Beethoven: Symphony No. 9 - Haitink
(Purchased)
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Copyright © 2006 John Broggio and SA-CD.net
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| Review by krisjan October 10, 2006 (8 of 8 found this review helpful)
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Performance: Sonics (S): |
This is a young man's, vibrant Beethoven set. The thing is, its conducted by Bernard Haitink who's been around the track a few times (i.e. no spring chicken). These performances are urgent and alive like none I've heard before and the conducting and playing befits the music. The term "stodgy" definitely does not apply. Believe me when I say I was floored by this - its not what I expected from Haitink at this stage in his life. This urgency applies to each and every symphony. The only place I find it somewhat detrimental is in the 1st mvmt of 9, where the quick pace blurs the triplet figures. In fact, I find the 9th to be the least compelling performance yet still enjoyable overall with good singing from the soloists and choir.
Now, I haven't pulled out some of my other recordings to compare timings (save for one - more below) so I can't say for sure that they are all as fast as they seem. It's just that the conducting is so well done that the works come off as fresh and exciting. And when you are talking about warhorses like these syms, it's quite refreshing to hear. The LSO's playing is fantastic throughout! The fact that these are live recordings makes the final superb results almost unbelievable. In the one comparison I made, I listened to the Vanska/Bis recording of the final mvmt of Sym 5 after listening to the LSO. Both mvmts have very similar overall timings yet the Haitink seems more energetic and urgent to me. Very Nice.
In my 2-channel system, the sound is close-up but excellent. The close-up perspective really allows the inner voices to be heard (and eliminates audience noise which I could not detect). The violins don't screech but have a nice body to them. Woodwinds, brass and percussion are all very fine sounding. The Vanska/Bis recording is a bit farther back with more hall sound. I actually like the LSO sound better oberall. I did seem to hear a very slight improvement in sound between the batch of recordings made in November, 2005 versus those made in April, 2006. In the earlier recordings, the violins sound ever so slightly opaque which is gone in the later recordings.
I bought this set based on the very positive reviews from several of the site reviewers. I can only add my own urgent recommendation to those (unless you prefer ponderous, stodgy Beethoven).
Mark
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| Review by thepilot October 16, 2006 (2 of 2 found this review helpful)
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Performance: Sonics (S/MC): / |
| This the spirit of Beethoven and the true voice of Beethoven. Exemplary playing from the LSO, spirited conducting from Haitink and splendid recording (I would have liked a little more bloom), that combines crystal clear clarity, wide dynamic range and extraordinary immediacy. The definitive Beethoven symphony cycle, more from Haitink, LSO and LSO Live please.
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| Review by theaudiohiffle December 4, 2006 (8 of 8 found this review helpful)
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Performance: Sonics (S/MC): / |
I bought this box set very soon after its release, after reading three reviews of the individual releases here on SA-CD.net. The reviews stressed the nuance and attention to dynamics and dance-like quality that I had heard Haitink bring to a performance of Mahler's First at Tanglewood this summer. That performance had me going away shaking my head in wonder (and I'm not a big Mahler fan).
I decided to to listen to the symphonies in natural order, rather than by release. So I started with No. 1, listening on my five-full-range Thiel multi-channel music setup. I could hardly sit still I was so excited as the piece unfolded, and at the end I found myself saying to the empty room "wow-o-wow-o-wow"!! Out loud! I can never remember having such a strong reaction to a piece of music in my life.
The remainder of the symphonies never failed to please...I rate them all at or near the top of any other perfomance I have or have heard...although the 8th is a little rushed to my taste, and the orchestral and choral forces a little too light to convey the necessary "gravitas" of the Ninth. But still, these are fine interpretations. That slight, little symphony called the "First", however, for me still conveys the most magic of Haitink's conducting.
Frankly, the last Beethoven cycle that I found compelling was Walter's...and that was back in the late '60's. Until now, it has been my favorite although I also have Klemperer and Kleiber's output, plus a few others.
When I try to describe the Haitink approach, I tell people to mix Walter's lyricism and sense of propulsiveness, with Kleiber's lean, uptempo approach, and then to throw in Szell's attention to balance and nuance and detail...and then prepare to have that mix bettered. This is an unbelievable set, and I am happy to see that the NYC critics agree (I was really interested in whether they would embrace this fairly radical approach.)
The fine sound is not just icing on this cake...in multichannel it is like adding another layer and a half-inch of icing. These recordings come as close as I have heard in multichannel to capturing the sound of a full orchestra in a good hall (the boxy bass excepted). I use a Sony SACD player (C2000ES) that decodes direct in pure DSD, and despite the Barbicons dryness, I still can hear enough ambience to make the sound in my room gourgeous. When I attend concerts, I tend to clost my eyes to concentrate on the music...when I do that in my living room, I can very easily suspend belief...the sound is that close to "being there".
I will treasure this set until the end of my days, and hope others will attain the same joy from it after I am gone.
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